Like the depiction of an old lens. The Kenko White Mist No.1 is a soft filter that reduces contrast between highlights and shadows and gives a subtle yet soft depiction. When backlight, it gives the diffusing effect that is like a flare of old lenses, like being wrapped in light. You can enjoy the old lens look with your lens. Unlike the "Black Mist" series, you can take a lower contrast, softer photo. Please take pictures and compare them. Product Features: Filter white mist is a pair of black mist that reduces the contrast between the highlights and shadows of the photograph, and changes to a soft, pale tone. It is opposite to the "black mist" filter which has a familiar diffusion effect. The "black mist" uses a black diffuser, while the "white mist" uses a white diffuser. It has a higher contrast than black mist, and it reduces saturation and makes it lighter tones. ■ Even if you wear it with high resolution cameras such as 40 million high pixels for a slightly soft view, and the latest lens with sharp resolution, it will make photos slightly softer. It is characterized by the subtle softness that leaves the core of the focus, but not the feeling of using "white mist" for a subtle soft depiction. ■ For those times you want to create a flare. Generally, it is best to avoid flares when taking photos and videos, but if you prefer the depiction or appearance of old lenses, there is a growing way to incorporate flare as one of the expressions. When shooting in backlight with white mist it reveals a softly diffused flare like old lenses, allowing the backlight to be more dramatic. The soft effect may differ depending on the focal length of your lens used. The effect is strong on the telephoto side, and the wide angle side will weaken the effect. Effects may differ depending on the type of light source, etc. The effect you see on the viewfinder and the results of the photo (depending on the print and monitor size, etc.). The atmosphere changes even in the way of exposure correction, so we recommend that you use exposure correction as necessary. The exposure time is 1/3 aperture increments, but actual shooting may not affect exposure.